The new Canon EOS R5 just has been released. Beautiful 8K Video, 4K 120 FPS, 8 stops of IBIS, a stunning 45 MP Sensor and many more stunning features open up endless possibilities for filmmakers & photographers around the world. Since I worked with the Canon 5D Mark IV and the EOS R for a long time I just created 8 individually crafted cinematic Looks for the new Canon R5 and Canon R6 Mirrorless Cameras.

What’s inside?

• 8 Cinematic LUTs for C-Log (.cube files)
• 8 Finishing LUTs for rec.709 (.cube files)
• 10 Cinematic LUTs for C-Log3 (BT.709) made for monitoring and grading your footage that has been shot overexposed (+1 to +2 stops)
• Compatible with Adobe Premiere, Final Cut X, DaVinci Resolve, Photoshop, and any other software that utilizes 3D LUTs

These LUTs will help you to get the most out of the 12-bit / 10-bit Video (but also work with compressed codecs) and convert your footage into cinematic and eye-pleasing visuals. No matter if you are using C-Log (Canon Log), C-Log3, Cinestyle or a custom profile like James Millers Neutral – The 3D LUTs in this Pack work perfectly with several Picture Profiles and settings. Make sure to overexpose 1 Stop if you are shooting in C-Log and at least +1 / +2 stops on C-Log3 to get the most out of your footage!

Currently the Clog3 LUTs are only for the BT.709 Color Space and not for Cinema Gamut (because I use these to monitor my footage on the Atomos Ninja V+ – And there is no way to record Cinema Gamut correctly on the Ninja V / V+ because the Color Space is too big to get sent through the HDMI 2.0 port of the Atomos.

Supported Cameras

These LUTs were created especially for the Canon R5, Canon R5 Mark II, Canon R6, Canon R6 Mark II but will also work with other footage from cameras like Canon EOS R, Canon EOS RP, Canon 5D Mark IV. Remember that you will get the most out of your Footage if you shoot in 10-bit / 12-bit in 4K or 8K resolution.